James A. Reeves

Small stages provide a place for newer acts to gain exposure. But faced with inflation and corporate competition, venue owners have to be scrappy.

It’s that time of year again and we are serving up a heaping plate of 2024 Megabanter!

Tim Matheson takes us through his new memoir “Damn Glad to Meet You,” Laurent Bouzereau talks documenting John Williams, and Pamela Adlon has The Treat.

Warner Bros. unceremoniously released Clint Eastwood’s Juror #2 in less than 50 theaters nationwide, but the mid-budget film has exceeded expectations.

Kim Masters and Matt Belloni take a look at the forthcoming Thanksgiving weekend box office projections and examine the unauthorized use of screenplays to fuel AI learning models.

Filmmaker Malcolm Washington speaks on adapting August Wilson, film critic Glenn Kenny shares insights from his book on the story of “Scarface,” and Susie Essman has The Treat.

Comcast is set to spin off a slew of cable channels including E!, SYFY, MSNBC, and CNBC. What’s behind the move?

The latest film releases include Mufasa, The Room Next Door, The Brutalist, and Nickel Boys.

In the mid 1970s, as glam rock fizzled out, new kids began to trickle in on the block–kids who looked up to the groupies as party girl icons, as rock’n’roll legends, who went out there…