S. Leo Chiang on KCRW
More from KCRW
Weekend film reviews: ‘Death of a Unicorn,’ ‘Grand Tour’
EntertainmentCritics review the latest film releases: “Death of a Unicorn,” “Grand Tour,” “An Unfinished Film,” and “The Ballad of Wallis Island.”
Is the White House gearing up for a larger fight with federal judges?
PoliticsDid President Trump defy court orders with deportation flights? Can Democrats recover from historically low polling? Plus, KCRW examines The Kennedy Center culture wars.
Zach Braff, China Miéville, and Cristin Milioti on The Treat
ArtsZach Braff reflects on 20 years of the “Garden State OST,” China Miéville talks 25 years of “Perdido Street Station,” and Cristin Milioti has The Treat.
LA’s religious groups empower immigrants amid deportations
ImmigrationReligious institutions have long been a refuge for immigrants. Now, they’re mobilizing in response to recent actions from the Trump administration.
‘Emilia Pérez’ songwriters on sparking debates; What’s next for James Bond and Star Wars?
EntertainmentLucasfilm CEO Kathleen Kennedy has announced she will step down from her post at the end of 2025. How will this affect Star Wars?
Bong Joon Ho, Susan Morrison, and Zoe Saldaña on The Treat
ArtsDirector Bong Joon Ho discusses his long-awaited “Parasite” follow-up “Mickey 17,” Susan Morrison talks profiling Lorne Michaels, and Zoe Saldaña has our Treat.
White House security officials come under fire over messaging app mishap
PoliticsKCRW reacts to the mishandling of White House war plans. Donald Trump takes center stage in Canada’s snap election. Will any excuse for tariffs make sense?
A chat with the directors of ‘Wallace and Gromit: Vengeance Most Fowl’; Why Disney is dialing back on DEI
EntertainmentThe Trump administration’s hostility toward DEI initiatives has led companies like Disney and PBS to reevaluate their stance on advocating for these principles.
BONUS: Extended interview with actor Edward Norton
ArtsOscar nominated actor Edward Norton sits down for an extended interview with Elvis Mitchell in front of a live audience at KCRW's Annenberg Performance Studio.