Priscilla Fraser

Matt Belloni and Lucas Shaw dive into the impressive Q3 earnings posted by Netflix… And whether the streamer can fine tune its film strategy to achieve even further world domination.

At Kaos Network, students explore their creative potential through various tools, including hip-hop music, digital technology, and even AI.

Disney’s streaming numbers soar as announced in the company’s earnings report earlier this week, but questions remain in the ongoing search for a new CEO.

Tim Matheson takes us through his new memoir “Damn Glad to Meet You,” Laurent Bouzereau talks documenting John Williams, and Pamela Adlon has The Treat.

With antisemitism on the rise, The Braid’s founder says it’s more important than ever for Jewish people to tell their stories, and gather for a good laugh.

Jude Law enters his lawman era (and joins to tell us about it), Aasif Mandvi talks “Waiting for Godot,” and Ilana Glazer has The Treat.

Small stages provide a place for newer acts to gain exposure. But faced with inflation and corporate competition, venue owners have to be scrappy.

Warner Bros. unceremoniously released Clint Eastwood’s Juror #2 in less than 50 theaters nationwide, but the mid-budget film has exceeded expectations.