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The rise and fall of the GTOs, the first girl group of Groupies
ArtsVenice Beach teen Dee Dee Keel was desperate to find out what was happening behind the scenes, in the clubs and hotel rooms of Hollywood: so she tracked an intriguing local rocker, Jim…
LA teens would rather live without social media, says new docuseries
Child developmentFilmmaker Lauren Greenfield assesses how constant internet access affects the coming-of-age experience of pandemic teens in a new series called “Social Studies.”
Cirque du Soleil returns to its US home in Santa Monica
EntertainmentIn 1987, Cirque du Soleil made its first U.S. debut in Santa Monica. The show returns to the city with Kooza at the Big Top through January.
Got parking in Inglewood? Congrats, you’re winning
TransportationWith the new stadiums in Inglewood, businesses with parking are thriving, while those without feel the city’s economic boom is passing them by.
Why can’t Los Angeles fix its broken sidewalks?
ArchitectureLA spends tens of millions of dollars settling sidewalk injury lawsuits each year. But the city says that actually fixing the sidewalks would cost more.
I'm With The Band: legendary groupies look back at their Sunset Strip heydey
ArtsAs the first wave of LA punk started to take hold in Hollywood, both on and off the Sunset Strip, the girls of the rock n roll underground flattened scene hierarchy by carrying the…
At Intuit Dome, your face is your ticket and credit card
TechnologyThe Intuit Dome in Inglewood offers facial recognition for just about everything, from ticketing to concessions at concerts and Clippers games.
Want to visit a custom-made haunted house? LA has hundreds
EntertainmentWhether you want to be just a little scared or pushed to the limit, LA has hundreds of different types of haunted houses. Vice Cooler, creator of Haunts of LA, is your guide.
The Serviceberry’: Robin Wall Kimmerer’s guide to the gift economy
Health & WellnessBotanist and author Robin Wall Kimmerer discusses her new book “The Serviceberry,” explaining how this plant serves as a metaphor for living in a “gift economy.”