Michael Rapaport on KCRW
More from KCRW
Lena Herzog: You cannot win a nuclear war
PoliticsThough one can debate the reasons, statistics and precedent of nuclear war, what is often left out of the conversation is the reality of it: destruction of the world as a whole.
Jesse Eisenberg, Chris Douridas, and Zoë Kravitz on The Treat
ArtsJesse Eisenberg breaks down his new film “A Real Pain,” Elvis talks Quincy Jones with KCRW DJ Chris Douridas, and Zoë Kravitz has The Treat.
Clint Eastwood’s ‘Juror #2’ out performs Warner Bros.’ investment; ‘The Penguin’ showrunner Lauren LeFranc talks crafting a Gotham crime boss
EntertainmentWarner Bros. unceremoniously released Clint Eastwood’s Juror #2 in less than 50 theaters nationwide, but the mid-budget film has exceeded expectations.
Rupert Murdoch denied bid to alter family trust; Documentarian Nic Stacey on the perils of over-consumption
EntertainmentRupert Murdoch wants to update his family trust in favor of his son Lachlan, who runs the Fox News empire. What’s behind Nevada commissioner Edmund J.
Recalibrate your frequencies to LA folk artist Jessica Pratt: KCRW Live from HQ
ArtsLA-native Jessica Pratt brings twisted psych-folk sounds to the Annenberg Performance Studio via performances of 2024’s “Better Hate” and 2019’s “Poly Blue.”
Jude Law, Aasif Mandvi, and Ilana Glazer on The Treat
ArtsJude Law enters his lawman era (and joins to tell us about it), Aasif Mandvi talks “Waiting for Godot,” and Ilana Glazer has The Treat.
Tiffany Haddish, Jake Kasdan, and Dan Aykroyd on The Treat
ArtsTiffany Haddish talks “Black Comedy in America,” Jake Kasdan breaks down his new Christmas-action-comedy “Red One,” and Dan Ackroyd has The Treat.
Tim Matheson, Laurent Bouzereau, and Pamela Adlon on The Treat
ArtsTim Matheson takes us through his new memoir “Damn Glad to Meet You,” Laurent Bouzereau talks documenting John Williams, and Pamela Adlon has The Treat.
TV and film productions are leaving LA for tax-friendly places
Business & EconomyLA's status as the entertainment capital of the world is under threat, as more production companies leave for cheaper locations.