Liz Feldman

The latest movie releases include Piece by Piece, The Apprentice, We Live in Time, and The Last of the Sea Women.

Tim Matheson takes us through his new memoir “Damn Glad to Meet You,” Laurent Bouzereau talks documenting John Williams, and Pamela Adlon has The Treat.

Warner Bros. unceremoniously released Clint Eastwood’s Juror #2 in less than 50 theaters nationwide, but the mid-budget film has exceeded expectations.

Kim Masters and Matt Belloni examine MSNBC’s decision to hold Errol Morris’ immigration documentary Separated until after the 2024 presidential election.

Filmmaker Lauren Greenfield assesses how constant internet access affects the coming-of-age experience of pandemic teens in a new series called “Social Studies.”

As David Ellison’s Skydance merger with Paramount begins, studio executives have been given some serious incentives to stick around through the transition process.

This week’s movie releases include Red One, The World According to Allee Willis, All We Imagine as Light, and Hot Frosty.

Whether you want to be just a little scared or pushed to the limit, LA has hundreds of different types of haunted houses. Vice Cooler, creator of Haunts of LA, is your guide.

LA-native Jessica Pratt brings twisted psych-folk sounds to the Annenberg Performance Studio via performances of 2024’s “Better Hate” and 2019’s “Poly Blue.”