Kwasi Boyd-Bouldin

photographer

Kwasi Boyd-Bouldin on KCRW

Kwasi Boyd-Bouldin tells stories of the changing landscape of Leimert Park and the Crenshaw District. His photo collection is “Black Space: Los Angeles.”

‘You can see the scars everywhere': Kwasi Boyd-Bouldin photographs LA’s communities of color during pandemic

Kwasi Boyd-Bouldin tells stories of the changing landscape of Leimert Park and the Crenshaw District. His photo collection is “Black Space: Los Angeles.”

from Press Play with Madeleine Brand

More from KCRW

Matt Tyrnauer and James Carville speak on their new Carville documentary, Ilana Glazer fills us in on their stand-up special “Human Magic,” and René Redzepi has The Treat.

from The Treatment

The Los Angeles Dodgers and New York Yankees face off for Game 1 of the World Series on Friday. KCRW breaks down how much it costs to attend.

from KCRW Features

A teen magazine so daring, so outrageous, so scandalizing and sexually suggestive that it only lasted…five issues.

from Lost Notes

Venice Beach teen Dee Dee Keel was desperate to find out what was happening behind the scenes, in the clubs and hotel rooms of Hollywood: so she tracked an intriguing local rocker, Jim…

from Lost Notes

Kim Masters and Matt Belloni examine MSNBC’s decision to hold Errol Morris’ immigration documentary Separated until after the 2024 presidential election.

from The Business

Filmmaker Malcolm Washington speaks on adapting August Wilson, film critic Glenn Kenny shares insights from his book on the story of “Scarface,” and Susie Essman has The Treat.

from The Treatment

In the mid 1970s, as glam rock fizzled out, new kids began to trickle in on the block–kids who looked up to the groupies as party girl icons, as rock’n’roll legends, who went out there…

from Lost Notes

Amidst the hype, excitement and nervousness of the election, the bigger picture of what the United States is and how it operates often gets lost on people.

from Scheer Intelligence

Warner Bros. unceremoniously released Clint Eastwood’s Juror #2 in less than 50 theaters nationwide, but the mid-budget film has exceeded expectations.

from The Business