Clive Desmond

The latest film releases include Wicked, Gladiator II, and The Piano Lesson.

Small stages provide a place for newer acts to gain exposure. But faced with inflation and corporate competition, venue owners have to be scrappy.

Kim Masters and Matt Belloni take a look at the forthcoming Thanksgiving weekend box office projections and examine the unauthorized use of screenplays to fuel AI learning models.

This week’s movie releases include Red One, The World According to Allee Willis, All We Imagine as Light, and Hot Frosty.

As Greta Gerwig prepares to dive into production on her adaptation of The Chronicles of Narnia, the director is attempting to persuade Netflix to release her film on thousands of IMAX…

Matt Belloni and Lucas Shaw dive into the impressive Q3 earnings posted by Netflix… And whether the streamer can fine tune its film strategy to achieve even further world domination.

In the mid 1970s, as glam rock fizzled out, new kids began to trickle in on the block–kids who looked up to the groupies as party girl icons, as rock’n’roll legends, who went out there…

Tim Matheson takes us through his new memoir “Damn Glad to Meet You,” Laurent Bouzereau talks documenting John Williams, and Pamela Adlon has The Treat.

Disney’s streaming numbers soar as announced in the company’s earnings report earlier this week, but questions remain in the ongoing search for a new CEO.