Anna Furman

This week’s movie releases include Red One, The World According to Allee Willis, All We Imagine as Light, and Hot Frosty.

Warner Bros. unceremoniously released Clint Eastwood’s Juror #2 in less than 50 theaters nationwide, but the mid-budget film has exceeded expectations.

Filmmaker Lauren Greenfield assesses how constant internet access affects the coming-of-age experience of pandemic teens in a new series called “Social Studies.”

As Greta Gerwig prepares to dive into production on her adaptation of The Chronicles of Narnia, the director is attempting to persuade Netflix to release her film on thousands of IMAX…

With stories and hundreds of photos, “Also on View: Unique and Unexpected Museums of Greater Los Angeles” explores the region’s lesser-known museums.

Oktoberfest lasts all fall in Huntington Beach, where a small German neighborhood hosts annual dachshund races from June to December.

Matt Belloni and Lucas Shaw dive into the impressive Q3 earnings posted by Netflix… And whether the streamer can fine tune its film strategy to achieve even further world domination.

Small stages provide a place for newer acts to gain exposure. But faced with inflation and corporate competition, venue owners have to be scrappy.

The latest movie releases include Piece by Piece, The Apprentice, We Live in Time, and The Last of the Sea Women.