Chapter One
A secret's worth depends on the people from whom it must be kept. My first thought on waking was to tell my best
friend about the Cemetery of Forgotten Books. Tomás Aguilar was a classmate who devoted his free time and his
talent to the invention of wonderfully ingenious contraptions of dubious practicality, like the aerostatic dart or the
dynamo spinning top. I pictured us both, equipped with flashlights and compasses, uncovering the mysteries of those
bibliographic catacombs. Who better than Tomás to share my secret? Then, remembering my promise, I decided that
circumstances advised me to adopt what in detective novels is termed a different modus operandi. At noon I
approached my father to quiz him about the book and about Julián Carax-both world famous, I assumed. My plan
was to get my hands on his complete works and read them all by the end of the week. To my surprise, I discovered
that my father, a natural-born librarian and a walking lexicon of publishers' catalogs and oddities, had never heard of
The Shadow of the Wind or Julián Carax. Intrigued, he examined the printing history on the back of the title page for
clues.
"It says here that this copy is part of an edition of twenty-five hundred printed in Barcelona by Cabestany Editores,
in June 1936."
"Do you know the publishing house?"
"It closed down years ago. But, wait, this is not the original. The first edition came out in November 1935 but was
printed in Paris.... Published by Galiano & Neuval. Doesn't ring a bell."
"So is this a translation?"
"It doesn't say so. From what I can see, the text must be the original one."
"A book in Spanish, first published in France?"
"It's not that unusual, not in times like these," my father put in. "Perhaps Barceló can help us...."
Gustavo Barceló was an old colleague of my father's who now owned a cavernous establishment on Calle Fernando
with a commanding position in the city's secondhand-book trade. Perpetually affixed to his mouth was an unlit pipe
that impregnated his person with the aroma of a Persian market. He liked to describe himself as the last romantic,
and he was not above claiming that a remote line in his ancestry led directly to Lord Byron himself. As if to prove
this connection, Barceló fashioned his wardrobe in the style of a nineteenth-century dandy. His casual attire consisted
of a cravat, white patent leather shoes, and a plain glass monocle that, according to malicious gossip, he did not
remove even in the intimacy of the lavatory. Flights of fancy aside, the most significant relative in his lineage was
his begetter, an industrialist who had become fabulously wealthy by questionable means at the end of the nineteenth
century. According to my father, Gustavo Barceló was, technically speaking, loaded, and his palatial bookshop was
more of a passion than a business. He loved books unreservedly, and-although he denied this categorically-if
someone stepped into his bookshop and fell in love with a tome he could not afford, Barceló would lower its price, or
even give it away, if he felt that the buyer was a serious reader and not an accidental browser. Barceló also boasted
an elephantine memory allied to a pedantry that matched his demeanor and the sonority of his voice. If anyone knew
about odd books, it was he. That afternoon, after closing the shop, my father suggested that we stroll along to the Els
Quatre Gats, a café on Calle Montsió, where Barceló and his bibliophile knights of the round table gathered to
discuss the finer points of decadent poets, dead languages, and neglected, moth-ridden masterpieces.
Els Quatre Gats was just a five-minute walk from our house and one of my favorite haunts. My parents had met there
in 1932, and I attributed my one-way ticket into this world in part to the old café's charms. Stone dragons guarded a
lamplit façade anchored in shadows. Inside, voices seemed shaded by the echoes of other times. Accountants,
dreamers, and would-be geniuses shared tables with the specters of Pablo Picasso, Isaac Albéniz, Federico García
Lorca, and Salvador Dalí. There any poor devil could pass for a historical figure for the price of a small coffee.
"Sempere, old man," proclaimed Barceló when he saw my father come in. "Hail the prodigal son. To what do we owe
the honor?"
"You owe the honor to my son, Daniel, Don Gustavo. He's just made a discovery."
"Well, then, pray come and sit down with us, for we must celebrate this ephemeral event," he announced.
"Ephemeral?" I whispered to my father.
"Barceló can express himself only in frilly words," my father whispered back. "Don't say anything, or he'll get carried
away."
The lesser members of the coterie made room for us in their circle, and Barceló, who enjoyed flaunting his generosity
in public, insisted on treating us.
"How old is the lad?" inquired Barceló, inspecting me out of the corner of his eye.
"Almost eleven," I announced.
Barceló flashed a sly smile.
"In other words, ten. Don't add on any years, you rascal. Life will see to that without your help."
A few of his chums grumbled in assent. Barceló signaled to a waiter of such remarkable decrepitude that he looked
as if he should be declared a national landmark.
"A cognac for my friend Sempere, from the good bottle, and a cinnamon milk shake for the young one-he's a growing
boy. Ah, and bring us some bits of ham, but spare us the delicacies you brought us earlier, eh? If we fancy rubber,
we'll call for Pirelli tires."
The waiter nodded and left, dragging his feet.
"I hate to bring up the subject," Barceló said, "but how can there be jobs? In this country nobody ever retires, not
even after they're dead. Just look at El Cid. I tell you, we're a hopeless case."
He sucked on his cold pipe, eyes already scanning the book in my hands. Despite his pretentious façade and his
verbosity, Barceló could smell good prey the way a wolf scents blood.
"Let me see," he said, feigning disinterest. "What have we here?"
I glanced at my father. He nodded approvingly. Without further ado, I handed Barceló the book. The bookseller
greeted it with expert hands. His pianist's fingers quickly explored its texture, consistency, and condition. He
located the page with the publication and printer's notices and studied it with Holmesian flair. The rest watched in
silence, as if awaiting a miracle, or permission to breathe again.
"Carax. Interesting," he murmured in an inscrutable tone.
I held out my hand to recover the book. Barceló arched his eyebrows but gave it back with an icy smile.
"Where did you find it, young man?"
"It's a secret," I answered, knowing that my father would be smiling to himself. Barceló frowned and looked at my
father. "Sempere, my dearest old friend, because it's you and because of the high esteem I hold you in, and in honor
of the long and profound friendship that unites us like brothers, let's call it at forty duros, end of story."
"You'll have to discuss that with my son," my father pointed out. "The book is his."
Barceló granted me a wolfish smile. "What do you say, laddie? Forty duros isn't bad for a first sale.... Sempere, this
boy of yours will make a name for himself in the business."
The choir cheered his remark. Barceló gave me a triumphant look and pulled out his leather wallet. He ceremoniously
counted out two hundred pesetas, which in those days was quite a fortune, and handed them to me. But I just shook
my head. Barceló scowled.
"Dear boy, greed is most certainly an ugly, not to say mortal, sin. Be sensible. Call me crazy, but I'll raise that to
sixty duros, and you can open a retirement fund. At your age you must start thinking of the future."
I shook my head again. Barceló shot a poisonous look at my father through his monocle.
"Don't look at me," said my father. "I'm only here as an escort."
Barceló sighed and peered at me closely.
"Let's see, junior. What is it you want?"
"What I want is to know who Julián Carax is and where I can find other books he's written."
Barceló chuckled and pocketed his wallet, reconsidering his adversary.
"Goodness, a scholar. Sempere, what do you feed the boy?"
The bookseller leaned toward me confidentially, and for a second I thought he betrayed a look of respect that had not
been there a few moments earlier.
"We'll make a deal," he said. "Tomorrow, Sunday, in the afternoon, drop by the Ateneo library and ask for me. Bring
your precious find with you so that I can examine it properly, and I'll tell you what I know about Julián Carax. Quid
pro quo."
"Quid pro what?"
"Latin, young man. There's no such thing as dead languages, only dormant minds. Paraphrasing, it means that you
can't get something for nothing, but since I like you, I'm going to do you a favor."
The man's oratory could kill flies in midair, but I suspected that if I wanted to find out anything about Julián Carax,
I'd be well advised to stay on good terms with him. I proffered my most saintly smile in delight at his Latin
outpourings.
"Remember, tomorrow, in the Ateneo," pronounced the bookseller. "But bring the book, or there's no deal."
"Fine."
Our conversation slowly merged into the murmuring of the other members of the coffee set. The discussion turned to
some documents found in the basement of El Escorial that hinted at the possibility that Don Miguel de Cervantes had
in fact been the nom de plume of a large, hairy lady of letters from Toledo. Barceló seemed distracted, not tempted to
claim a share in the debate. He remained quiet, observing me from his fake monocle with a masked smile. Or
perhaps he was only looking at the book I held in my hands.
(Continues...)
Excerpted from The Shadow of the Wind
by Carlos Ruiz Zafon Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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The Shadow of the Wind