My friends, if you know how to survive this unreasonably hot weather, please share it with me. The only way I know how to deal with it is to look at cool – very cool – art.
Installation view of Kim Dingle "Crush Paintings," 2016-2017
Oil on c-print and oil on glassine
Photo by Robert Wedemeyer
Image courtesy of Susanne Vielmetter Los Angeles Projects
The exhibition by Los Angeles artist Kim Dingle at Susanne Vielmetter Los Angeles Projects proves to be not only cool, but – if you are familiar with her art – trademark naughty and a touch crazy. In the first gallery, you see her series Freight Train Crushes, of large colorful paintings on paper, which Kim didn't want displayed on the wall – instead, she crushed them into wads and placed them as sculptures on the gallery floor.
(L) Kim Dingle in front of work from her show "YIPES"
at Susanne Vielmetter Los Angeles Projects
(R Top) Kim Dingle, PAINTING BLINDFOLDED (punt), 2017
(R Bot) Kim Dingle. PAINTING BLINDFOLDED (your head is a mess), 2017
Photo by Jeff McLane, images courtesy of the gallery
I went to see this exhibition with a few friends, and Kim talked with us about her work. In a series of black and white so-called Blindfold Paintings, she returned to her trademark subject – little girls fighting and misbehaving. The brushwork in these paintings is nervous, sudden, and unexpected. You might want to ask why? The answer is, because Kim chose to paint them with her eyes closed, using only muscle memory as her guide.
Kim Dingle in front of work from her show "YIPES"
at Susanne Vielmetter Los Angeles Projects
And, once again, switching gears, Kim talked to us about a totally different body of work she calls Home Depot Coloring Books. These large, abstract "nature" paintings are executed on large wood boards made out of compressed wood chips. The composition of these paintings is defined by the hundreds of wood chips inside each board, and every chip is painted a different color. The impression one gets is of perfectly controlled artistic chaos.
Installation view of Neil Raitt's "Misty Rock," 2017
Image courtesy Anat Ebgi Gallery
At Anat Ebgi Gallery, I caught the last day of Neil Raitt's exhibition, Misty Rock. The first impression is that one is on a stage, enjoying an elaborate set design. There are no actors, but you and your friends become performers. At the gallery entrance, one wall has a cut out in the shape of a full-grown tree. You are invited to enter through this opening into the artist's fantasy world.
Anat Ebgi gives a walk-through of Neil Raitt's exhibition, "Misty Rock"
Inside, there are stone fountains with running water. There is a gigantic landscape mural on the wall, and smaller paintings hung on top of this mural. Even if you decide to sit on the upholstered gallery bench, which is OK, you will end up on top of an artwork, with fabric painted by the artist in a landscape pattern.
Lloyd Wright's Sowden House, Los Angeles
And, let me end with a late-night adventure, which took place last weekend at the famous Lloyd Wright Sowden House in Los Feliz. For three nights only, invited guests could stroll through the courtyard of this house, inspired by Mayan architecture.
Adriana Varejão's "Transbarroco" at Lloyd Wright's Sowden House, Los Angeles
Gagosian Gallery organized this special event featuring a four-channel video installation by young, renowned Brazilian artist Adriana Varejão. With constantly changing imagery, voices, and fragments of samba music, the impression one gets is that Carnival in Rio de Janeiro is right around the corner.
Installation view of "Adriana Varejão: Interiors," North Gallery, at Gagosian Beverly Hills
Artworks © Adriana Varejão
Photo by Jeff McLane, image courtesy of the gallery
The US premiere exhibition of paintings and sculpture by Varejão is currently on display at Gagosian Beverly Hills.
All Photos by Edward Goldman unless otherwise noted.